John Grey
- Koon Woon
- Apr 10
- 2 min read
THE RECEPTION AFTER THE READING
Young women gathered around
the well-known poet.
The lesser-known male poets in attendance
stood in line for wine.
One of his admirers
brought his glass of cheap red to him.
He put it to one side
for he had books to sign.
In a city of Providence’s size,
I estimate there’d probably be
twenty to thirty females
in their twenties
willing to gush and sigh over
some guy who has a way with words,
is under forty
and is passable looking.
At least half of them
were in attendance that night.
The lesser-known poets attract
none of these women
Their poetry says as much.
PREGNANT TREE
There is no need
to stand by the swell of your belly,
feel the kick,
listen to the echo
crying deep inside you.
Instead, I watch
a tiny sparrow
clinging to a branch.
The thin, swaying limb
is the safest place extant.
Yet the bird covets sky.
In one brave extravagant gesture,
it flexes it wings,
lets go that bough,
soars out of the tree’s
thick green uterus.
The sparrow flies and flies,
just to bless that moment
it gets airborne.
THIS SEASON’S DEAD
A formless night
in winter,
as ephemeral flakes fall
and sleep-bound fishermen
enlighten the waves
on tomorrow's journey
in the presence
of decks rife with snow.
THE CICADAS
Seventeen years underground.
Seventeen years of such uncommon patience.
Then out they come for a summer, in our world,
sucking on sap of oak and willow,
laying eggs, vibrating their membranes,
shredding the air with their ticks, whines and buzzes.
Then seventeen more years underground.
As if deep in the dirt, stillness and silence, is the real life.
And the time up top is merely the dream,
the motor whir of a subconscious,
What we see is a cicada imagining itself as a cicada.
What we hear is the sound of an insect playing along.
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